Marine Delterme Biography

MARITAL STATUS
Profession Actress
French nationality
Birth March 12, 1970 (Toulouse – France)
BIOGRAPHY
First a model for the Oui agency from the age of seventeen, Marine Delterme appeared on the covers of magazines like Elle , Marie-Claire … On the advice of Valeria Bruni-Tedeschi , she moved towards acting profession and trained at the Actor’s Studio. She auditioned in vain to play in Jungle Fever (1991) by Spike Lee , appeared in an episode of the television series The Hitchhiker as well as in a medium-length film by Jean-Luc Godard entitled Puissance de la parole . She also appears in the soap opera Women and men 2: In love there are no rules in 1991 and the horror film Listopad by Lukasz Karwowski in 1992.

But these are Les Nuits fauves (1992) by Cyril Collard and Fanfan (1993) by ‘ Alexandre Jardin which revealed her to the general public, films where she respectively embodies one of Cyril Collard’s conquests and that of Vincent Perez . From then on, this pretty brunette with big clear eyes no longer goes unnoticed. New companion of Richard Berry in Mutual Consent (1994) by Bernard Stora , she opposite Florence Thomassin and Amira Casar in the dramatic comedy Thus be they (1995) by Patrick Alessandrin and Lisa Azuelos-Alessandrin , then to Fabrice Luchini in The Year of Juliet (id.) by Philippe Le Guay .

Making short appearances in Everyone is looking for their cat (1996) by Cédric Klapisch , Les Randonneurs (1997) by Philippe Harel , Vatel (2000) by Roland Joffé and Peau d’ange (2002) by Vincent Perez , Marine Delterme finds herself in the lead poster of two comedies, Le Déménagement (1997) by Olivier Doran , where she plays the role of Léa, the young girl with problems, and Michael Kael against the World News Company (1998) by Christophe Smith , where she plays a somewhat bitchy nurse on a humanitarian mission. The actress also shines in a more dramatic genre with Te quiero (2000) by Manuel Poirier .

From 2002, Marine Delterme plays the heroine of the legal series Alice Nevers, the judge is a woman and is becoming rarer in the cinema. She appears, in a supporting role, in Trésor (2009), the last film by the late Claude Berri , and in Paris-Manhattan (2012), the first feature film by Sophie Lellouche where she plays the sister of Alice Taglioni .